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RapidShare Slows Download Speeds To Drive Away Pirates Posted: 24 Feb 2012 03:12 AM PST
The fallout was fascinating to watch. Some hosters eventually closed down and some changed their policies, but it soon became clear that immediately usable capacity had become much more rare, at least on terms acceptable to users. Interestingly – and despite the glaring omission of a cash rewards program – around warez blogs and release sites we saw an increased interest in RapidShare. Site users asked again and again for uploaders to put material up on the Swiss-based file-hoster. Then a little over a week ago reports started coming in that users of RapidShare’s free service had experienced dramatic speed drops down to around 30/kbs. Speculation was rife that the company was exploiting the Megaupload closure fallout to drive users to their premium, non-limited products. So we asked RapidShare, and this was their fascinating response. “On January 19th Megaupload was shut down by the FBI. Shortly thereafter, several other file hosters curbed their services or entirely stopped their operations,” the company told TorrentFreak. “RapidShare has been faced with a severe increase in free user traffic and unfortunately also in the amount of abuse of our service ever since, suggesting that quite a few copyright infringers have chosen RapidShare as their new hoster of choice for their illegal activities,” the company explained. “We have thus decided to take a painful yet effective step: to reduce the download speed for free users. We are confident that this will make RapidShare very unpopular amongst pirates and thus drive the abusive traffic away.” RapidShare says that there is a direct link between free users of file-hosting services and copyright infringement. Those who like to pirate prefer not to pay, the company believes, not least because they want to avoid connecting their personal payment details to a copyright-infringing cyberlocker account. Now, there will be those who say that however RapidShare dress it up, the company will be aware that the restrictions will drive users to their premium services to get better speeds. But interestingly RapidShare is now offering ways for users to get faster download speeds without paying a dime – providing those uploading the original files they’re trying to access do some work. “We knew that through the action taken we would even affect some RapidPro customers, especially those who offer their own files via websites or blogs and heavily depend on a possibility for free users to download their files. Therefore, we have decided to offer those customers a kind of deregulation that allows free users to download their files with the fastest possible speed again,” the company says. What this means is that uploaders of content will have to provide RapidShare with details on the nature of their account including what type of files they’re sharing, the name of the sites and blogs where the download links are getting posted, and the uploader’s email address and telephone number. RapidShare adds that by signing up to the scheme, uploaders give the company the right to check their files and websites for illegal activities. In recent months RapidShare has made substantial efforts to demonstrate it is a responsible file-hoster that takes the law seriously, but this action is perhaps the strongest indication yet that the company wants to disassociate itself from infringing content and a Megaupload-style fate. Source: RapidShare Slows Download Speeds To Drive Away Pirates |
Filmmaker: MPAA Is a Censorship Group, Go Torrent! Posted: 23 Feb 2012 01:07 PM PST
On the contrary, the MPAA is often disliked for their aggressive censorship regime. Not SOPA-style Internet censorship but film censorship, allegedly used to protect the interests of the major studios. Aside from leading the war on piracy, the MPAA is also the moral judge who decides what films the public is allowed to see. Through its ratings system they can make or break films. Just ask South Park creator Matt Stone or watch “This Film is Not Yet Rated” to get an idea of what’s going on behind the scenes. And that’s just the tip of the iceberg. Another filmmaker who came out against the MPAA recently is small-time film director Heather Ferreira who wrote a flaming rant directed at the MPAA on Quora. According to her, pirates are not the threat – it’s the MPAA that’s killing creative filmmaking through its censorship regime. “What I see when I examine the MPAA is not a friendly guardian of feature film directors’ rights, even at the studio level. Instead, I see a very large lobby that began as a Christian right-wing organization instituted to keep minorities off motion picture screens, promote racism and homophobia, and restrict creative freedom in America,” she writes. Ferreira feels left out in the cold by the movie group, and gives several examples of trivial censorship rules filmmakers have to abide by today. “The Motion Picture Association of America has never written me a paycheck for anything. They’re not backing my picture. These are not nice guys. They are not in this business to help filmmakers at all.” “They’re censors waiting to pounce my film and yours with an NC-17 rating for violence or for showing two consenting adults laughing while enjoying sex (rape however is okay), while curiously no one censors the news media for showing [..] eight-year-olds Paris Hilton’s latest upskirt with very little pixellated out,” she writes. “Isn’t that pauseworthy? If there’s no censors for the news, why for dramatic movies and television?” Eventually, Ferreira gets to answering the original question and then it becomes evident that she dislikes the MPAA much more than those who download her work. “Thanks. I hope you enjoyed it,” would be her response to pirates who download her work. “What the MAFIAA fails to realize is p2p is not a black and white issue of ‘piracy is wrong; all of it; and if you didn’t pay us, you’re a criminal’,” she writes. Ferreira then goes on to note that the MPAA could better address piracy by stopping killing the creativity of filmmakers, and offer reasonably priced and top quality films. After all, pirates are potential customers. “They’re a potential paying future audience member. The technology has changed. The playing field is different now. We need to adapt to it, not it to us,” she ends. Although the above is just a single example of a filmmaker’s disappointment with the MPAA, a rather extreme one too, Ferreira is not alone. The lobby group represents the major studios who themselves are also guilty of crushing the creative dreams of independent filmmakers. Just last week a former film student detailed how his career was ruined by a major movie studio. In 2001, the student found inspiration for his thesis in a short story from Isaac Asimov’s that was part of the book “I Robot.” But even though he had consent from the Asimov estate, a major studio threatened to take him down if he dared to bring it out. Turns out that studio was working on a film titled “I Robot.” This week another major studio sued the Corleone estate because they want to publish a “Godfather” sequel. The studio claims that it’s to “protect the integrity and reputation of The Godfather trilogy.” It would be kind of weak to say that the questionable censorship practices described above are an excuse to go and pirate movies. However, they are examples of how common protectionism and censorship is among the biggest players in Hollywood, and that this may be more detrimental to creativity than piracy will ever be. Source: Filmmaker: MPAA Is a Censorship Group, Go Torrent! |
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